Women of the 20's
Among the stars of 20's is Greta Garbo, Marlene Dietrich, Gloria Swanson, Ava Gardner, etc. Less importance in this period was the scenario of a film or even the director, everybody looked liked a film just because the main actress Greta Garbo, for example. For this reason, the film is held in portrait narrow plans and was iconic actors that hypnotize the public. This portrait comes cool, untouchable and quite perfect for the public in every detail of the face. G.Garbo's face has left generations echo until today.
Actors will decide everything in a film from the script, the director that will work and each had a limited list of director of photography to be working with them.
These would be capricious goddess that would pave the way for what is called the golden age of Hollywood. Labeled the sad (Bela Balaz) or wax them were portraits of stars that have suffered the solitude of their perfection.
'Flapper's' everyday life and capricious goddess cinema can say convinced that the role of women in cinema is proportional to that of rebellion with its social life. This balance will be disturbed in the '30s.
Among the stars of 20's is Greta Garbo, Marlene Dietrich, Gloria Swanson, Ava Gardner, etc. Less importance in this period was the scenario of a film or even the director, everybody looked liked a film just because the main actress Greta Garbo, for example. For this reason, the film is held in portrait narrow plans and was iconic actors that hypnotize the public. This portrait comes cool, untouchable and quite perfect for the public in every detail of the face. G.Garbo's face has left generations echo until today.
Actors will decide everything in a film from the script, the director that will work and each had a limited list of director of photography to be working with them.
These would be capricious goddess that would pave the way for what is called the golden age of Hollywood. Labeled the sad (Bela Balaz) or wax them were portraits of stars that have suffered the solitude of their perfection.
'Flapper's' everyday life and capricious goddess cinema can say convinced that the role of women in cinema is proportional to that of rebellion with its social life. This balance will be disturbed in the '30s.
Greta Garbo has a face that meets Plato's idea about human nature which explains why her face is almost unisex, so it shows no gender
No comments:
Post a Comment