But the revolution didn't happen in this movie that I love. Beware those who want to preserve the American dream should not see this movie because Sam Mendez after 'American Beauty' has gone further and makes it tangible and depressive white collar life of American suburban . Frank and April live in the suburban of the city he works in a job like he is a machine and she is the beautiful and dedicated housewife at home, .They realize that their lives must change and that the suburban life it isn't for them and decide to go to Paris but this idea will be indefinitely postponed. One other thing that has impressed the film is that we have so many cigarettes smoked, and alcohol even more, be certain that there isn't only an element of the director to show boredom of people,these are really the 50-s in America. A character that i really enjoy is the neighbors sun. He presented as a mental patient but his only handicap is that he says the truth with words that cop and a beautiful suburb with make up on,can not swallow, he comes a little earlier for his time as a Beatnik. I do not want to tell you more about the movie but be certain that although the choice of Leonardo Di Caprio and Kate Winslet is bold after Titanic, this time they will come true and more honest with their feelings.
*Don't think that this story remains only in the 50s suburban of America even in Albania this phenomenon is happening.
New families strugeling for some standards imposed by the society like the kind of house they should have, or in what schools their children should go. this way they leave each other grown apart and focus on the next goals to achive so they can feat the frame
I like to remind my favorite couple in the Albanian cinema. For those who have seen the movie 'Butterflies in my cabin' the relationship between Luiza Xhuvani and Ndricim Xhepa is the most common one we find in most of romantic movies in Hollywood. It is very simple one should release the mind from the belief system of the time that the film is set and we finally realize that it is a romantic movie with a love that is born and remains unrealized. Toma (Ndricim Xhepa) is a rebellious boy with a casual life starts to feel for the Flutura (Luisa Xhuvani) a village teacher very straightforward and without prejudice. Is her behavior towards one of her pupils Iriqi that attracts the attention of Tomes . The end of the film is warned at the time when Thomas catches butterflies for Flutura for the school laboratory. Thomas picked up many butterflies but they end up damaged because he wasn't careful while catching the butterflies same thing happens in their relationship. Tome has the sex appeal of the bad boy turned good for love,this is what most of the women like in his character. Also the fact that the actor that plays the role is Ndricim Xhepa and he is like Robert Redford of Albania women and girls like him regret their age. I do not want to let Luiza Xhuvani without any comparison and I am Baptizing her as Mia Farrow of Albania.
p.s It was hard to write this in English because Butterflie and Flutura (the name of the character)is the same word. Also sth.funny the name of the actor Ndricim Xhepa is translated word by word in english as lighting pockets :)
Nje nga filmat me romantik Shqiptare me nje konflikt i cili jeton ne kohe dhe me triumfin e dashurise mbi cdo paragjykim. Nje pllot i tille mund te zhvillohet nga dikush qe vertet e njeh dhe e ka provuar mentalitetit e shoqerise pra nga syte e nje gruaje dhe kete na e paraqet dhe Besa Myftiu. Era gjendet ne nje moment te veshtire ne jete kur i dashuri e braktis kur meson se ajo pret nje femij. Nga ky moment vec te tjerash trajtohet dhe tema e abortit se si veprohej per ta kryer ate dhe cfare alternativash gjeje ne rruge te tjera. Ne fund Era vendos ta mbaj femijen dhe kerkon qe edhe Genci ta pranoj kete femije edhe pse nuk eshte i tij. Afeksioni i audiences femerore per personazhin e Gencit vjen duke u rritur dhe kjo jo vetem sepse e luan Ndricim Xhepa. Ne fillim ai qaset me shume elegance ne drejtim te Eres dhe i duruar me Eren qe eshte gjithe kohes neper re. Ne nje pjese te dyte ai nuk e pret mire rrefimin e Eres e megjithate i behet krah si nje gentelmen i vertet dhe ne fund kur cdo gje ndryshon dhe atij do ti duhet te dashuroj jo vetem Eren por edhe femijen qe ajo pret perseri Genci degjon zemren udhehiqet nga dashuria dhe jo nga mentaliteti i shoqerise dhe shkon per te kerkuar doren e Eres ne ahtepine e saj. Ne kete pjese te fundit une per vete dhe shume te tjere e di qe kane qare. Ky film eshte edhe nje shprese per shume vajza te cilat mund te ndjehen te paragjykuara nga koha apo edhe te perflitet e shkuara e tyre, ato mesojne se panvarsishte ketij opinioni nese dikush do t'i doje vertet dashuria do te fitoj. Ky film edhe mund te paragjykohet se eshte televiziv por mua nuk me kane pelqyer asnjehere keto diskriminimet teknologjike nje film e ben skenari dhe ky film pervec konfliktit shume te spikatur ka edhe dialogje mjafte te bukura dhe moderne. Se fendmi dua te them se ne kete film me shume se skenari i Besa Myftiut apo cifti im i preferuar i kinemase Luiza dhe Ndricimi eshte muzika e Kujtim Prodanit. Nje motiv romantik qe e mban mend per shume kohe,nje motiv qe mund ta fishkellesh me nje orkestrim modern dhe sensual kitare dhe saks.Kenga ka pjese qe vjen e trishtuar e ngadalte dhe ne refrren merr nje hov te lumtur ashtu sikurse i duhet edhe filmit pasi dashuria ne fund fiton. Muzika e Prodanit e ka plotesuar kete film ne ate mase sa Henry Mancini ka plotesuar '
Breakfast at Tiffany's'. Vetem se Mancini ka marr Oskar nga ai film dhe Kujtimin e marrin ndonjehere tek TVSH.
Ne vitet 80
ne Amerike shfaqen milioneret e pare dhe ndryshojne menyren e jeteses se
Amerikaneve me firmat dhe markat e tyre. Tashme jemi ne 10-vjecarin ku secili
mendon per veten e tij se si te pasurohej sepse Donald Trump dhe Leona Hemsley
te bindnin me sloganin e tyre ‘Po mund ti kesh te gjitha’. Videogamet,camerat
regjistruese CD dhe talk-show mbushin jeten e perditshme. Rryma te reja muzike
ndiqen nga te rinjt si punk,rap dhe hip-hop per me teper do nisi trasmetimet e
para dhe MTV me novacion per industrin e muzikes. Ne kinema te gjithe njezeri
do te te kujtonim ET I cili arrin te telefonoj ne shtepi dhe do te kthehej jo
vetem ne nje film block-buster por dhe
ne nje industry per te shitur cdo produkt me logon e filmit dhe ET. Vitet 80
kane renie ne prodhim ne krahasim me vitet 70 dhe perseri roli I femrave dhe
levizja e tyre do te kaloj pa u shfaqur ne kinema por jo dhe per shume kohe
pasi ne vitin 1991 do te jete Ridley Skot me filmin e tij te zhanrit ‘on the
road’ I cili do te bej filmin kult ‘Thelma and Louise’. Por perpara se te them
se cfare rendesie pati ky film doja te pershkruaja risine e viteve 90 qe
ndryshuan te gjithe boten. Ne vitet 90 eshte interneti ai qe I ndryshon jeten
amerikaneve dhe me pas te gjithe botes. Fuqia komunikuese e tij do te konkuroj
cdo mjet komunikimi ekzistues. Kinemaja ndikohet nga kjo risi pasi pirateria e
filmave do te mari nje forme mjafte argetuese per te gjithe dhe te gjithe do ti
shikojne filmat ne shtepite e tyre nga kompiuteri pa paguar asgje.
Rikthehemi
tek filmi ‘Thelma and Louise’ ne vitin 1991. Ky film do te tregoje historine e
2 shoqeve Thelma eshte shtepiake e gjithe jeta e saj rrotullohet rreth
bashkeshortit I cili e le pas dore dhe do qe ajo te rri vetem ne shtepi dhe
Louisa nje grua me karakter te forte e cila ne te kaluaren e kane perdhunuar. Ajo
qe do te nisi si nje fundjave e bukur mes shoqesh do te perfundoj ne nje seri
vrasjesh. Ne fillim te filmit ndalojne ne nje bar ku Thelmen tentojne ta perdhunojne
por Louisa e shpeton , kur perdhunuesi I ofendon te dyja atehere Louisa e vret.
Ne vazhdim te udhetimit te tyre ato do te mashtrohen nga meshkujt,ato do ti
vjedhin do ti poshterojne dhe filmi kthehet ne 2 gra kunder gjithe kesaj
shoqerie maskiliste. Dy shoqet kerkojne ta edukojne shoqerine ne thelb duke
kerkuar respektin per seksin femer. Filmi tregon dhe solidaritet midis femrave po
mos te ishin te dyja ato nuk do mund te luftonin cdo veshtiresi qe I del ne rruge. I gjithe filmi vjen si nje similitude e
perpjekjeve te levizjeve femerore te viteve 60 dhe 70 per te mos qene te
diskriminuara dhe keqtrajtuara nga seksi tjeter. Thelma dhe Louisa ne fund te filmit
pasi e kane humbur sensin e gjerave qe I kane ndodhur dhe pas zhgenjimeve qe
kalojne e shikojne boten te ndare ne dy pjese ato te dyja vetem ne shkretetire
dhe ushtria e meshkujve police qe kerkojne ti kapin me nje arsyetim te thjeshte
.Nen presion ato vendosin te mos dorezohen por te vazhdojne te vendosura rrugen
e tyre dhe hidhen ne gremine te kapura
dore per dore. Nga e gjithe ushtria e policeve vetem nje komisar tenton ti
ndaloj, dhjetra te tjere nuk levizin vendit, vdekja e dy personazheve nuk
tregon humbjen e tyre por vendosmerine per te arritur qellimin pa rene ne
kompromis me asnje dhe per asgje,as edhe me vete jeten.
Before the 'Avatar' phenomenon we all thought that the recent period of Hollywood's golden age would be the 70's. However, never say never because the history repeats itself. So in the 70's, new technology like Dolby Sound and Panavision will bring people to the cinemas to win the battle with the television as well as in 2009 with the 3D technology will break every record of the cinemagoers. Let us return to the 70 'where avantgarde generation of filmmakers like George Lucas' Star Wars' and Steven Spielberg with' Jaws' made the history of those years. I must emphasize that in the 70 films Block-buster were those films that used new technology or new achievements in science unknown world outside the planetary, new approaches to distance the human from the religion and God. While the cult films for the message to transmit as 'The Godfather', 'One Flew over the Cuckoo's Nest', 'Taxi driver' deal with the topic of post-war, loneliness social chaos that was America and the mafia that in one way or another has been part the most important of its building.
And although women gained priority in social and political life, cinematography does not respond there is no film to represent the women of those days and its efforts in society. In the late 70 'Woody Allen will be one that will bring a new style romantic comedy centered on a young woman already emancipated in his film "Annie Hall." Allen is the only although autobiographical notes which creates the character of Annie which then inspires women in America for the way she dresses. In this film we see that a movie leads and inspires the society and not as a derivative of social events. Until the 90's would be used in wardrobes of American style of Annie Hall, a woman wearing men's trousers jacket shirt and left anyway but very feminine. This style highlights the difference between fabric and garments for men as men, but retaining the part of women. Woody helps careerist feminist women of those years while I attached to this wardrobe on the other side though with regret that since the entire emancipation of women in society cinema responds only with an innovation-mind wardrobe.